Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example
This thesis aims to investigate the auspicious animal images in “The Classic of Mountains and Seas”, exploring the profiling features and evolution of the auspicious animal patterns through cross verification of images, literature and cultural relics, and based on the research, the images are applied on the China-Chic clothing design. Ancient Chinese took the auspicious animals as things of blessing, which were endowed with many beautiful meanings to express our ancestors’ longing for a better life. Based on the concept of innovative design derived from the traditional culture, this thesis takes the images of auspicious animals in “The Classic of Mountains and Seas” as its research object to analyze their origins and evolution in China-chic fashion and, together with the case study of modern clothing design and a certain extent summary, to promote the inheritance, development and application of traditional culture in modern social life. The thesis will delve deep into the cultural connotations and aesthetic characteristics of the auspicious animal images, analyze and investigate the types, characteristics and implied meanings of such image to extract representative visual element symbols, which are then integrated into the modern fashion design, fulfilling the inheritance, development and application of traditional culture in modern social life.
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.
Auspicious Animal Image, Cultural Inheritance, Design Application, Artistic Aesthetics, Design Elements
1. Research Introduction
“The Classic of Mountains and Seas” is an important cultural classic in ancient China, in which many exotic animals and rare birds are documented. Utilizing these elements may not only reflect the uniqueness and historical sense of traditional Chinese culture, but also facilitate better understanding and inheritance of traditional Chinese cultural spirit.
Ancient Chinese took the auspicious animals as things of blessing, which were endowed with many beautiful meanings to express our ancestors’ longing for a better life. This worship of auspicious animals signifies the simple wish of our ancestors to pray for peace and happiness. It represents the reverence and respect for deified animals by humans in prehistoric times. This worship is the earliest artistic culture, some of which are kept till today
[1]
Zijing LIU. (2022) The application and research of auspicious animal decoration in IP image design [D]. Tianjin Academy of Fine Arts, 2022.
. Auspicious animals are always a symbol of auspiciousness. For example, Pixiu (a mythical wild animal) symbolizes bringing in wealth and treasures, Fenghuang (Phenix) symbolizes bright and beautiful future, and Qingluan (Green Phenix) symbolizes sweet love. Combing auspicious animal elements derived from “The Classic of Mountains and Seas” with China-chic fashion and integrating traditional culture and modern fashion elements can not only diversify the design works that are filled with mysterious, fantastic and ancient elements, but also increase their visual impact and attraction, enhancing the cultural connotation and popular value of the works.
In the process of investigation, the author searched and collected information through various channels, including ancient books, museums, cultural relics, historical materials, artistic works, etc., in order to comprehensively and deeply understand the form, characteristics, symbolism and other aspects of auspicious animals from “The Classic of Mountains and Seas”, helping more people to understand and feel the unique charm of auspicious animal culture. For example, by designing diverse costumes, accessories or cultural artifacts bearing images of auspicious animals can help more people get to know and experience the auspicious animal culture.
2. Research Overview on “The Classic of Mountains and Seas”
2.1. Basic Overview
“The Classic of Mountains and Seas” is a mythological geography classic from the pre-Qin period, in which numerous myths, legends, rare animals and plants, and precious minerals are documented. The ancient classification system regards it as the book of mountain and river geography or natural resources. “The Classic of Mountains and Seas” embraces almost everything from ancient mythology, geography, animals, plants, minerals, to witchcraft, religion, history, medicine, folk customs, and ethnicities.
Though the author and completion date of “The Classic of Mountains and Seas” are unknown, contemporary scholars speculate that it was compiled by multiple authors from the late Warring States period to the early Han Dynasty. “The Classic of Mountains and Seas” features both pictures and text, but the original pictures were lost, and all the existing pictures are redrawn versions from Ming and Qing Dynasty (see Figure 1, Figure 2). It preserves many mythologies and legends, reflecting not only the exploration and imagination of ancient Chinese about the nature, but also their knowledge and concepts about social systems, ethnic relations, religious beliefs, medicine and health preservation. Therefore, it has very high historical, literary and scientific research value, reflected in geography, mythology, literature and history.
Figure 2. “The Illustrated Classic of Mountains and Seas”, Ming Dynasty/Fengniao (Phenix).
Many famous ancient Chinese myths and legends are originated from “The Classic of Mountains and Seas”, e.g. “Kuafu Running After the Sun”, who died and turned into Juyang Mountain and Yuanquan Spring; “Nuwa fixing up sky” by using five-color stone that turned into five famous mountains in China; the mythical bird Jingwei trying to fill up the sea with pebbles just for revenge; Dayu thrice passing his home without entering it as he was busy with taming the flood. These legends reflect not only the thinking of ancient Chinese on natural phenomena, social history, moral and ethical aspects, but also their imaginative and creative mythological thinking, providing inspiration and sources for many writers of later generations.
2.2. Overview of Auspicious Animal Stratified by Their Symbolic Functions
The auspicious animals in “The Classic of Mountains and Seas” convey the knowledge and imagination of ancient Chinese about the nature, revealing the duality of creativity and destructive power of nature. These auspicious animals are known for their special features and abilities, thus giving positive impact and significance on humans. For instance, Xiupi Fish is a magical fish widely recognized as having therapeutic efficacy against psoriasis, its meat, once eaten by people, can alleviate the symptoms of the disease (see Figure 3). Tiangou (Heavenly Hound) is an exotic animal that can be raised, and people believe it is able to resist danger and protect people from harsh environments and evil forces (see Figure 4). These legendary auspicious animals not only demonstrate human’s eager exploration of mysterious creatures in nature, but also reflect the relationship and interdependence between humans and nature
[2]
Wei ZHAO. (2019) The Beauty of Strange Beasts: Analysis and Reconstruction of the Description of Strange Beasts in the Classic of Mountains and Seas [J]. Journal of Zhaozhuang University 2019, 36(06): 138-141.
[2]
. The fact that people pray for health, safety, and security by worshipping auspicious animals exemplifies ancient people’s reverence for the power of nature and their understanding of the interaction between themselves and the environment
[3]
Xiao-Peng H, Bao-Hua Y. (2013) Teaching Exploration of Traditional Culture and Modern Design [J]. Journal of Ningbo Institute of Education 2013.
[3]
. These auspicious animal images are not only legendary characters in ancient culture, but also the symbols conveying the concept of harmonious coexistence with nature, encouraging people to protect and respect nature for better life and well-being.
Figure 4. “Gallery of Rare Birds and Beasts”/Tiangou.
3. Cultural and Artistic Value of the Auspicious Animal Images in “The Classic of Mountains and Seas”
The auspicious animals in “The Classic of Mountains and Seas” contain not only rich and colorful images and functions, but also profound cultural connotations and values. They not only mirror the ancient people’s knowledge and attitude towards nature and social reality, but also express their yearning and pursuit for a better life and ideal realm
[4]
Knecht Peter. (1979) Legendary Creatures in Book Review Shanhaijing [J]. Literature and art theory research. Asian folklore, 1979, 38(1).
[4]
. The cultural and artistic value embodied by those auspicious animals in the “The Classic of Mountains and Seas” are analyzed in four aspects as follows:
3.1. Exhibit the Aesthetics of Design and Painting in Ancient Times
Auspicious animal images in “The Classic of Mountains and Seas” are important components in ancient Chinese mythological thinking and decorative art, reflecting not only the simplest design thinking, but also the understanding of ancient Chinese about the relationship between humans and nature, as well as between heaven, earth and humans, with their primitive thinking patterns and cultural heritage preserved
[5]
Hongming L. (2014) Inheritance and Innovation of Arts and Aesthetics in Traditional Chinese Culture [J]. Academic Exchange, 2014.
[5]
. Although the original picture book of “The Classic of Mountains and Seas” was lost, the auspicious animal image has been long rooted in traditional Chinese culture (see Figure 5).
3.2. Exhibit Ancient Chinese Concept of the Interconnection and Influence between Heaven, Earth and Everything
Many auspicious animals in “The Classic of Mountains and Seas” are associated with celestial phenomena or geography, such as the Zhujiuyin (Nine Yin Candles) controlling sunset and moonrise, Gudiao (a venomous eagle) bringing storms and lightning, and Kuiniu (a bull beast) causing earth vibrations. All these indicate that ancient Chinese believed that nature is an organic whole, with close connections and interactions between various phenomena
[6]
Qian WANG. (2016) A Study on the Origins of Nine Tailed Fo Image in Ancient Chinese Literature [J]. Literary Education 101(6).
[6]
.
3.3. Exhibit the Worship and Reverence of Ancient Chinese for the Power of Life and Spirit
Many auspicious animals in “The Classic of Mountains and Seas” possess abilities or characteristics that go beyond convention or common sense, such as Qiongqi (a winged tiger) swallowing all living beings, Chiru (a fish with human face) curing diseases and prolonging life. All these indicate that ancient Chinese had a great reverence for the power of life and spirit, and hoped to gain benefits through communication with them
[7]
ChangYi MA. (2003) The Classic of Mountains and Seas and the Narrative Tradition of Chinese Image [J]. Visual Expression 2002. 2003: 41-135 (2017-10-31).
[7]
.
3.4. Exhibit the Yearning and Pursuit of Ancient Chinese for Beautiful Things and Ideal Realms
Many auspicious animals in “The Classic of Mountains and Seas” convey beautiful meanings or symbolic meanings
[8]
Peilin ZHAO. (1997) The Classification of Chinese Mythology and the Literary Value of the Classic of Mountains and Seas. [J]. Literary and Art Research, 1997(1): 10.
[8]
, such as the Xuanniao (a divine bird) representing the sun or imperial power, the Jiuweihu (a fox with nine tails) representing wisdom or auspiciousness, and the Pixiu (a mythical wild animal) representing civilization or wealth. All these indicate that ancient Chinese were yearning for beautiful things and ideal realms, and they expressed their thoughts and desires by creating these exotic animals
[9]
You TAN. (2018) “The Classic of Mountains and Seas” and Compilation Characteristics of Ancient Chinese Mythology [J]. Journal of Nanjing University of Technology (Social Sciences Edition), 2018, 31(03): 59-63.
[9]
.
4. Application of Auspicious Animal Image Elements from “The Classic of Mountains and Seas” into Clothing and Fashion Design
4.1. Application of Auspicious Animal Image Elements in Fashion Design
The images of auspicious animals are often presented through various techniques such as printing, dyeing, and embroidery
[10]
Shuo YANG, Weidong LIU (2020) Research on “China-Chic”: The New Trend of Fashion Design under the Integration of Chaopai Culture and Chinese Culture [J]. HuNan Packaging, 2020(2): 5.
. They are often depicted with exquisite and delicate techniques, showcasing the beauty and mystery of traditional culture. These patterns mostly appear in the form of localized patterns on multiple parts of the collar, cuffs, hem, chest, back, etc., making the overall design full of artistic and cultural connotations
[11]
Xiaofei XU (2022) Development Trends of Fashion Design from the Perspective of the Integration of Trendy Brand Culture and Ethnic Traditional Culture [J]. Journal of Ezhou University, 2022, 29(02): 64-65.
. Taking the LANCY brand (Figure 6) as an example, the designer cleverly integrated popular high-end colors into the form of the auspicious animal pattern. With the help of exquisite embroidery techniques, the auspicious beasts depicted by contemporary painters are vividly reproduced.
Figure 7. Valentino 2018 Early Autumn Col./ “Dragon”.
In Valentino brand’s 2018 Early Autumn Collection, creative director Pierpaolo Piccioli meticulously applied shimmering decorations and jewelry to the sporty long, glossy nylon trench coat, to redefine the classic dragon pattern, using delicate lines and patterns to express a very stylish visual effect (see Figure 7).
4.2. Creative Adaptation of Auspicious Animal Image Elements in Clothing Design
This design leverages the auspicious animal images of Wenyaoyu (a bird winged fish) and Zhiyuan (a kite) in “The Classic of Mountains and Seas” to conduct down jacket design (see Figure 8 and Table 1 for details, dress-up rendering see Figures 9-10).
Figure 8. Practical Rendering of the Auspicious Animal Image Elements in Fashion Design.
Table 1. Image Comparison of Wenyaoyu and Zhiyuan.
Name Implied Meaning
Legend
Profiling Feature
Wenyaoyu
Signifies a bountiful harvest in the world, a symbol of prosperity and happiness
[12]
Butian ZHANG (1998) A Review of the Research on “The Classic of Mountains and Seas” in the 20th Century [J] Journal of QinHai Normal University, 1998(3): 56-59.
[12]
.
Long oval shape body, wide back/abdomen, both flat sides, tapered towards the tail. Wings of bird, relatively short head, flat bac, sloping downwards on both sides, and a narrow abdomen.
Zhiyuan
Endowed with the meaning of pursuing auspiciousness and good luck, avoiding disasters and difficulties; embodiment of expectations for family reunion, longevity, and other good wishes
[13]
Zhiyu LIANG (2021) Research on the Forms of Monsters and Beasts in the Classic of Mountains and Seas based on Natural Environment [D]. Beijing Forestry University, 2021. https://doi.org/10.26949/d.cnki.gblue.2021.000585
[13]
.
Hard wing and skeleton, with lifting blades shaped like wings; higher edges at upper part and on both sides, wings slightly tilting backwards; hollow in the middle.
Figure 10. Dressed-up Rendering of the Fashion Design Practice.
5. Conclusions
(1) The auspicious animals in “The Classic of Mountains and Seas” reflect the desire and reverence of ancient Chinese for exploring mysterious things
[14]
Lianshan CHEN (2019) Criticism of the “Book of Witchcraft in the “The Classic of Mountains and Seas”--Reiterating that the “Classic of Mountains and Seas” is Primitive Geographical Record [J] Folk Culture Forum, 2019, 1(2-16).
[14]
. These auspicious animals take various forms, mostly are combinations of different creatures, with unique and non-existent forms in nature. They exhibit the rich imagination and creativity of ancient Chinese, conveying their prayers for auspiciousness, happiness, and prosperity, while also reflecting our ancestors’ desire for spiritual peace and psychological balance.
(2) The auspicious animals in “The Classic of Mountains and Seas” contain extremely high cultural and artistic value, passing down to the present through different media and forms. In ancient times, the images of auspicious animals often appeared on artistic carriers such as architecture and handicrafts, serving as important elements for auspicious wishes and decoration. These artworks demonstrate reverence for auspicious beasts and incorporate cultural symbolism of auspiciousness and blessings. It is an important component of traditional Chinese culture, witnessing people’s exploration of mysterious things and their pursuit of an auspicious and beautiful life during historical changes.
(3) In modern design, the auspicious animal elements endow works with auspicious and spiritual qualities. By combining the symbolic significance of ancient auspicious animals with modern creation, it not only satisfies people’s pursuit of beauty, but also provides positive value and healing effects spiritually. This creative approach carries the inheritance of ancient wisdom, cleverly connecting the past with the present, and bringing a profound artistic experience to contemporary society
[15]
Taile NI, Yingshuang CHEN. (2020) Research on the Parallel Development Trend of Digital Media Art and Modern Science and Technology [J]. Frontiers in Art Research, 2020, 2(2).
[15]
.
(4) In contemporary design, sophisticated modern design techniques are often used to express profound respect and preservation for the connotations contained in the original auspicious animal culture. In fashion design, some China-chic fashion brands focus not only on visual uniqueness and innovation, but also on the in-depth understanding and reverence of traditional culture
[16]
Yan CHU, Na WEI. (2022) Research on the Application of the Mythical Patterns in the China-Chic Fashion Design [J]. Fashion Guide, 2022, 11(01): 89-97.
[16]
. By delicately balancing traditional and modern elements, eye-catching fashion designs have been created, contributing positively to the inheritance and development of Chinese culture.
Conflicts of Interest
The authors declare no conflicts of interest.
References
[1]
Zijing LIU. (2022) The application and research of auspicious animal decoration in IP image design [D]. Tianjin Academy of Fine Arts, 2022.
Wei ZHAO. (2019) The Beauty of Strange Beasts: Analysis and Reconstruction of the Description of Strange Beasts in the Classic of Mountains and Seas [J]. Journal of Zhaozhuang University 2019, 36(06): 138-141.
[3]
Xiao-Peng H, Bao-Hua Y. (2013) Teaching Exploration of Traditional Culture and Modern Design [J]. Journal of Ningbo Institute of Education 2013.
[4]
Knecht Peter. (1979) Legendary Creatures in Book Review Shanhaijing [J]. Literature and art theory research. Asian folklore, 1979, 38(1).
[5]
Hongming L. (2014) Inheritance and Innovation of Arts and Aesthetics in Traditional Chinese Culture [J]. Academic Exchange, 2014.
[6]
Qian WANG. (2016) A Study on the Origins of Nine Tailed Fo Image in Ancient Chinese Literature [J]. Literary Education 101(6).
[7]
ChangYi MA. (2003) The Classic of Mountains and Seas and the Narrative Tradition of Chinese Image [J]. Visual Expression 2002. 2003: 41-135 (2017-10-31).
[8]
Peilin ZHAO. (1997) The Classification of Chinese Mythology and the Literary Value of the Classic of Mountains and Seas. [J]. Literary and Art Research, 1997(1): 10.
[9]
You TAN. (2018) “The Classic of Mountains and Seas” and Compilation Characteristics of Ancient Chinese Mythology [J]. Journal of Nanjing University of Technology (Social Sciences Edition), 2018, 31(03): 59-63.
[10]
Shuo YANG, Weidong LIU (2020) Research on “China-Chic”: The New Trend of Fashion Design under the Integration of Chaopai Culture and Chinese Culture [J]. HuNan Packaging, 2020(2): 5.
Xiaofei XU (2022) Development Trends of Fashion Design from the Perspective of the Integration of Trendy Brand Culture and Ethnic Traditional Culture [J]. Journal of Ezhou University, 2022, 29(02): 64-65.
Butian ZHANG (1998) A Review of the Research on “The Classic of Mountains and Seas” in the 20th Century [J] Journal of QinHai Normal University, 1998(3): 56-59.
[13]
Zhiyu LIANG (2021) Research on the Forms of Monsters and Beasts in the Classic of Mountains and Seas based on Natural Environment [D]. Beijing Forestry University, 2021. https://doi.org/10.26949/d.cnki.gblue.2021.000585
[14]
Lianshan CHEN (2019) Criticism of the “Book of Witchcraft in the “The Classic of Mountains and Seas”--Reiterating that the “Classic of Mountains and Seas” is Primitive Geographical Record [J] Folk Culture Forum, 2019, 1(2-16).
[15]
Taile NI, Yingshuang CHEN. (2020) Research on the Parallel Development Trend of Digital Media Art and Modern Science and Technology [J]. Frontiers in Art Research, 2020, 2(2).
[16]
Yan CHU, Na WEI. (2022) Research on the Application of the Mythical Patterns in the China-Chic Fashion Design [J]. Fashion Guide, 2022, 11(01): 89-97.
Du, B., Feng, K. (2024). Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example. International Journal of Literature and Arts, 12(6), 149-155. https://doi.org/10.11648/j.ijla.20241206.11
Du, B.; Feng, K. Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example. Int. J. Lit. Arts2024, 12(6), 149-155. doi: 10.11648/j.ijla.20241206.11
Du B, Feng K. Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example. Int J Lit Arts. 2024;12(6):149-155. doi: 10.11648/j.ijla.20241206.11
@article{10.11648/j.ijla.20241206.11,
author = {Bingbing Du and Kailun Feng},
title = {Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example
},
journal = {International Journal of Literature and Arts},
volume = {12},
number = {6},
pages = {149-155},
doi = {10.11648/j.ijla.20241206.11},
url = {https://doi.org/10.11648/j.ijla.20241206.11},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20241206.11},
abstract = {This thesis aims to investigate the auspicious animal images in “The Classic of Mountains and Seas”, exploring the profiling features and evolution of the auspicious animal patterns through cross verification of images, literature and cultural relics, and based on the research, the images are applied on the China-Chic clothing design. Ancient Chinese took the auspicious animals as things of blessing, which were endowed with many beautiful meanings to express our ancestors’ longing for a better life. Based on the concept of innovative design derived from the traditional culture, this thesis takes the images of auspicious animals in “The Classic of Mountains and Seas” as its research object to analyze their origins and evolution in China-chic fashion and, together with the case study of modern clothing design and a certain extent summary, to promote the inheritance, development and application of traditional culture in modern social life. The thesis will delve deep into the cultural connotations and aesthetic characteristics of the auspicious animal images, analyze and investigate the types, characteristics and implied meanings of such image to extract representative visual element symbols, which are then integrated into the modern fashion design, fulfilling the inheritance, development and application of traditional culture in modern social life.
},
year = {2024}
}
TY - JOUR
T1 - Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example
AU - Bingbing Du
AU - Kailun Feng
Y1 - 2024/11/12
PY - 2024
N1 - https://doi.org/10.11648/j.ijla.20241206.11
DO - 10.11648/j.ijla.20241206.11
T2 - International Journal of Literature and Arts
JF - International Journal of Literature and Arts
JO - International Journal of Literature and Arts
SP - 149
EP - 155
PB - Science Publishing Group
SN - 2331-057X
UR - https://doi.org/10.11648/j.ijla.20241206.11
AB - This thesis aims to investigate the auspicious animal images in “The Classic of Mountains and Seas”, exploring the profiling features and evolution of the auspicious animal patterns through cross verification of images, literature and cultural relics, and based on the research, the images are applied on the China-Chic clothing design. Ancient Chinese took the auspicious animals as things of blessing, which were endowed with many beautiful meanings to express our ancestors’ longing for a better life. Based on the concept of innovative design derived from the traditional culture, this thesis takes the images of auspicious animals in “The Classic of Mountains and Seas” as its research object to analyze their origins and evolution in China-chic fashion and, together with the case study of modern clothing design and a certain extent summary, to promote the inheritance, development and application of traditional culture in modern social life. The thesis will delve deep into the cultural connotations and aesthetic characteristics of the auspicious animal images, analyze and investigate the types, characteristics and implied meanings of such image to extract representative visual element symbols, which are then integrated into the modern fashion design, fulfilling the inheritance, development and application of traditional culture in modern social life.
VL - 12
IS - 6
ER -
School of Fashion, Beijing Institute of Fashion Technology, Beijing, The People’s Republic of China
Biography:
Bingbing Du, Professor and Postgraduate Supervisor at Beijing Institute of Fashion Technology. Member of Textile Products Design Vocational Skills Assessment Committee of China Textile Information Center and Member of the Undergraduate Teaching Guidance Committee of Beijing Institute of Fashion Technology. Artistic Director of the “Youth 100” Young Designer Training Program in Fashion Art Design of China. Recognized for her exceptional contributions, Professor. DU has been honored with the “Light of Textile” Textile Higher Education Teaching Achievement Award of the China National Textile and Apparel Council. She has participated in multiple international research collaboration projects in recent years. Bingbing DU ’research field: Fashion design and Cultural innovation; Fashion design management; Sustainable design around clothing and textiles; Trend analysis and design application.
School of Fashion, Beijing Institute of Fashion Technology, Beijing, The People’s Republic of China
Biography:
Kailun Feng is a MA student at School of Fashion in Beijing Institute of Fashion Technology (BIFT). He completed his MA in Fashion Design from BIFT in 2024. During learning in BIFT as a MA student, he won the honorable prize of 2022 “Charming Oriental•China International Home Clothing Original Design Competition”, and also won the Gold Medal of “China (Guangshan) Down filled garment Products Design Competition and China Young Designer Entrepreneurship Competition”. Kailun FENG’ research field: Fashion design and Cultural innovation; Film and Drama costume design, etc.
Du, B., Feng, K. (2024). Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example. International Journal of Literature and Arts, 12(6), 149-155. https://doi.org/10.11648/j.ijla.20241206.11
Du, B.; Feng, K. Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example. Int. J. Lit. Arts2024, 12(6), 149-155. doi: 10.11648/j.ijla.20241206.11
Du B, Feng K. Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example. Int J Lit Arts. 2024;12(6):149-155. doi: 10.11648/j.ijla.20241206.11
@article{10.11648/j.ijla.20241206.11,
author = {Bingbing Du and Kailun Feng},
title = {Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example
},
journal = {International Journal of Literature and Arts},
volume = {12},
number = {6},
pages = {149-155},
doi = {10.11648/j.ijla.20241206.11},
url = {https://doi.org/10.11648/j.ijla.20241206.11},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.20241206.11},
abstract = {This thesis aims to investigate the auspicious animal images in “The Classic of Mountains and Seas”, exploring the profiling features and evolution of the auspicious animal patterns through cross verification of images, literature and cultural relics, and based on the research, the images are applied on the China-Chic clothing design. Ancient Chinese took the auspicious animals as things of blessing, which were endowed with many beautiful meanings to express our ancestors’ longing for a better life. Based on the concept of innovative design derived from the traditional culture, this thesis takes the images of auspicious animals in “The Classic of Mountains and Seas” as its research object to analyze their origins and evolution in China-chic fashion and, together with the case study of modern clothing design and a certain extent summary, to promote the inheritance, development and application of traditional culture in modern social life. The thesis will delve deep into the cultural connotations and aesthetic characteristics of the auspicious animal images, analyze and investigate the types, characteristics and implied meanings of such image to extract representative visual element symbols, which are then integrated into the modern fashion design, fulfilling the inheritance, development and application of traditional culture in modern social life.
},
year = {2024}
}
TY - JOUR
T1 - Research and Application of Chinese Auspicious Animal Images in Contemporary Clothing Design—Take “The Classic of Mountains and Seas” as Research Example
AU - Bingbing Du
AU - Kailun Feng
Y1 - 2024/11/12
PY - 2024
N1 - https://doi.org/10.11648/j.ijla.20241206.11
DO - 10.11648/j.ijla.20241206.11
T2 - International Journal of Literature and Arts
JF - International Journal of Literature and Arts
JO - International Journal of Literature and Arts
SP - 149
EP - 155
PB - Science Publishing Group
SN - 2331-057X
UR - https://doi.org/10.11648/j.ijla.20241206.11
AB - This thesis aims to investigate the auspicious animal images in “The Classic of Mountains and Seas”, exploring the profiling features and evolution of the auspicious animal patterns through cross verification of images, literature and cultural relics, and based on the research, the images are applied on the China-Chic clothing design. Ancient Chinese took the auspicious animals as things of blessing, which were endowed with many beautiful meanings to express our ancestors’ longing for a better life. Based on the concept of innovative design derived from the traditional culture, this thesis takes the images of auspicious animals in “The Classic of Mountains and Seas” as its research object to analyze their origins and evolution in China-chic fashion and, together with the case study of modern clothing design and a certain extent summary, to promote the inheritance, development and application of traditional culture in modern social life. The thesis will delve deep into the cultural connotations and aesthetic characteristics of the auspicious animal images, analyze and investigate the types, characteristics and implied meanings of such image to extract representative visual element symbols, which are then integrated into the modern fashion design, fulfilling the inheritance, development and application of traditional culture in modern social life.
VL - 12
IS - 6
ER -
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